Sunday, October 28, 2012

perfection-workshop


When writing about art it can be difficult to get the images across to the reader but in this case it worked perfectly. Even though I could not visually see the art that was in the story, it was described in such a way, that I could easily imagine it. It was also very easy to understand and relate to the protagonist. He had a clear objective, recreate the portrait and thus prove that he could still create beauty, and a logical mean of achieving it, paint until it’s perfect. There was not anything that was forced or untruthful about it. Because the idea is simple it feels real.
           
 On page 4 you talk about the accident where he lost his hand and I feel like that is unnecessary. We already know he lost his hand in an accident of some kind, having it explained breaks from the action of painting and just sounds like exposition for the sake of it. A little ambiguity is fine, we know the basics, and that’s all we need to know.

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